when we no longer live in our bodies
do we inhabit the spaces between
voices cupped in bedspread folds
hands around a match
winter kitchen cookbook stains
unmarked keys
missing teeth
tufts of feather and bone?
see me in the lath and plaster
clothesline tied to cherry trees
empty spools
diaper pins
carpenter ants and gutter vines
One spring we slept in a canvas tent
near an abandoned homestead
at the edge of a field.
My parents and their friend Gunner
salvaged tongue-and-groove boards for a summer shack
peeled logs for our cabin
and tried to keep the yellowjackets off their sweat.
After the sun went down
and the trees blended with the night
they drank Lucky beer in short brown bottles
and laughed while they solved the puzzles
inside the caps.
The top bunk bed was mine
and when I couldn’t sleep
I watched the patterns on the ceiling
made by the kerosene lamp below.
When Gunner left the next summer
his car bent the weeds that grew down the middle of the road
that led away from our property.
We dug holes for bottles around the garden
to scare the gophers
with the sound of the wind inside the glass.
photo by Samantha Malay, Seattle, Washington, 1989
Drought by Samantha Malay
published March 2020 in Wild Roof Journal, Issue 1
Tamaracks, pine trees, aspen and wild roses grew at the edge of the field
where chamomile, sheep sorrel, alfalfa and thistles tangled with grass.
We felt the heat of the day in the dust between our toes
as the late-summer smell of dusk enveloped us.
Stars filled the whole sky as we lay on our backs, a blanket on the ground.
Far away, we heard the rustling and thumping of a startled grouse.
We lived in dry mountain woods and despite our vegetable garden and rabbit hutch and root cellar, we were no match for the gophers and the coyotes and the thunderstorms.
We felt the fragile boundary between hope and haste,
between watching for signs and quiet paranoia,
between saving seeds and leaving the homestead to the dead of winter.
Between wanting to know and listening to silence.
There were lean years even when we cut enough firewood
and brought the hay in before the rain.
For a long time we believed that our gamble would bind us together.
photo by Samantha Malay, Las Vegas, Nevada, 1990
South
by Samantha Malay
published August 19, 2019 in Genre: Urban Arts, No. 8
in the seams of sleep
the curtains were stained where they stuck to the glass
answers were eavesdropped
and icicles dripped from the roof of the porch
while our coats hung on nails and bread baked inside
near a hinge in the floor where we left all our questions
like cups upside down to guard against bugs
and handwritten notes under root cellar jars
between bent hasps and splintered slats
pillowcase creases and windowsill light
I am pulling on threads and begging the ash
photo by Samantha Malay, on the way to Colville, Washington, 1990
in a car the color of an ocean map
on a circular road that led south to north
we stopped at a house near a dead-end street
where we sat on the floor
in sun-bleached clothes
we can’t get our bearings
with our backs to the mountain
and the horizon holds only what we don’t want here
roll up your sleeping bag
tie your shoes in the dark
we’ll cup water in gas stations
between night and day